Trouble is
defined in a few different ways in the American English dictionaries. I think
the one (or ones) that stands out most to me are these:
Difficulty,
annoyance or harassment.
Something or
someone that is cause or source of disturbance, or conflict.
Whichever
definition you look at, trouble has an automatically negative connotation. So
why is that so many of from ages one to one hundred find ourselves looking for
trouble? Because...trouble is sexy. Think about it for a second. Girls for the
most part find themselves attracted to the bad boys who usually bring you
nothing short of trouble. Conversely guys, whether we say it or not, secretly
(and most times publicly) LOVE bitches (bitches here not as a connotation for
the female gender but females who are acting like a bitch in general practice).
Kids get in
trouble all the time and more often than not so do adults.
All this leads
to make this statement: Trouble is beautiful.
When I titled
the article thusly I wasn't referencing that. To be honest, the aforementioned
words are the set up to talking to speaking the latest work by Atlanta rapper
and resident King Of The South T.I. His latest effort, Trouble Man: Heavy
Is The Head proves exactly what I've been saying. As with any of T.I.'s
albums it is an amazing mixture of intensely thoughtful words, Southern dipped
bragging, and stories of his life. I have been so hungry for Trouble
is my life that I've personally been robbing banks and riding in dark cars with
drug dealers. (Of course I haven't. I was attempting to be clever.)
To be fair, I
will look past two tracks on the album, "Trap Back Jumpin'" and
"Ball" if for no reason other than they have been getting
heavy radio play and you already know at this point whether you like those
tracks or not. Instead I will focus on four other amazing tracks.
"Sorry"
is a cool track based on beat at first. T.I. comes through with another amazing
set of verses. What else added to the sub zero temperature of the song was a
hook that was sang with something that I cannot put my finger on but can tell
you it's amazing. Finally we have the utter chill vibe that is André 3000. 3
Stacks does what he does and adds more lyrical validity to an already legit
song. Now all I need from him is a solo album. But, I digress.
"Guns
And Roses" was something surprising to me. When I say P!nk and T.I.,
it sounds as though it shouldn't work. But damned if it doesn't. The track
sounds as if it was pulled from P!nk's catalogue but T.I. comes through with
the smooth flow and reminds you where you are. Just as you're lulled into a
calm, a powerful hook from P!nk wakes you up and compliments his words so well I
blushed. Just hearing this makes me think they should do this again and more
often.
"Hello"
is produced by Pharrell Williams as evident by both the sound and Williams' ad
libs punctuating T.I.'s words. And the hook? Done to excellence by none other
than Cee Lo Green, still proving he's a soul machine. Everything about this
track works. I need say nothing other than put it on repeat a few times.
"Hallelujah"
is, strictly speaking, the shortest track on the album. But that is completely
offset by the fact it's one of the most personal. It speaks of T.I. growing
beyond the bad things to be better. All this is said over biblical references
of Job, Jonah, and Jesus as well as a heavenly hook that cannot be described as
anything else.
We all know that
T.I. has been trouble in his life but this album truly proves that trouble is
the most beautiful thing, especially when it can be focused into something
good.
written by
Lucius Black for Royalty Magazine
written by
Lucius Black for Royalty Magazine
No comments:
Post a Comment